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Kimmy Quillin
Brooklyn, NY
Neighborhood: Fort Greene

Media:Painting;


ARTIST STATEMENT: Kimmy Quillin has been wearing glasses since the fourth grade. In 2006 she moved to New York, a busy city often more easily taken in without the crystalizing focus of corrective lenses. In 2008, she ran out of contacts and went for a year without seeing the world with 20/20 clarity. Using this fuzzy, forgiving mode of misperception to her advantage, she is able to focus on the interplay of colors between buildings, skylines, clothing and streets. Whether abstract or figurative, paint, pencil or paper, her work echoes this color field version of reality which she frequently prefers. Kimmy lives and works in Brooklyn, NY.
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  • Washington Square Summer
    2018
    Acrylic on cotton canvas

  • Sh*thole Sisterhood
    2018
    Acrylic, Gesso and Paper on Cotton Canvas

  • (Dancing in the Ruins of) Bhagvati's Castle
    2018
    Acrylic, Gesso and Paper on Canvas

  • 2017
    2018
    Acrylic, Paper and Gesso on Canvas

  • Rebuilding By Moonlight, P.R.
    2017
    Acrylic and oil pastel on canvas
    Following Hurricane Irma, I was moved and outraged by the inaction of the American government in its aid to Puerto Rico, a U.S. territory for over a century. This painting is for the people rebuilding

  • Drishti/Target Practice
    2017
    Acrylic on cotton canvas
    Though the entirety of this painting flashed into my head complete, the image references myriad sources. First, the original cover of Fitzgerald's Great Gatsby: a saturated, city night blue also

  • Cave
    2017
    Acrylic on cotton canvas
    "Cave" is part of a series of five paintings focused on a palette of pink-oranges and blue hues. This streamlined colorway creates a feeling of family between the five paintings. The straigh

  • Above Ground Pool, Midwest
    2017
    Acrylic on canvas

  • Backyard at Sunset, 6 Minutes Apart
    2017
    Acrylic and pencil on canvas
    Seen across the backyard of a St. Louis home, out the kitchen window of a small-town Wisconsin residence or over the shoulder of a city park. Six minutes difference in the time of sunsets, as with man

  • Aedes, After Dark
    2017
    Acrylic, pencil and gold on canvas
    Aedes, After Dark calls to mind a passage through seasons, much like the four-paneled paintings found in Japanese Buddhist and Shinto art. As described by the Metropolitan Museum of Art, "In this

  • Prata: de Ouro
    2017
    Acrylic, Gesso, Chalk and Gold Leaf on Canvas
    The fourth in a series of four titled "Prata," "Prata: De Ouro" translates to Portuguese as "Silver: Golden." The deterioration of the golden triangle and the slightly of

  • Coppertone 4: Plumbing the Depths
    2017
    Acrylic, Chalk and Pencil on Canvas
    The creation of "Plumbing the Depths" followed an animated discussion of the changing themes of goals according to age, from decade to decade over the course of a lifetime. The tightly knit,

  • No. 9 (#8)
    2017
    Acrylic and charcoal on canvas
    From John Lennon regarding Revolution 9: "Revolution 9 was an unconscious picture of what I actually think will happen when it happens; just like a drawing of a revolution. All the thing was mad

  • Aretha (#6)
    2017
    Acrylic and charcoal on canvas
    Head thrown back, eyes closed, lost in the moment of pure vocal release. This original work captures the strength and energy of musical performance as expression, notably embodied by the great vocalis

  • Cage
    2017
    Acrylic and Pencil on Canvas
    In a departure from her typical palette of tints and pastels, the artist makes her first use of black with this masculine-leaning story of contrast between orange and blue. This potentially explosive
 








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