Like an Ocean gyre, a vortex of artifacts of a consumption based contemporary society become
ensnarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate
materials which remarkably can still harbor life.
Collages made by hand and digitally, representing my navigation of both dreamscapes and
day to day waking life, thematically inclined toward investigations of physical vs robotic,
technology and spirituality.
My interdisciplinary practice explores natural systems of the body/its environment and how this is subjectively translated through our senses, employing a wide variety of techniques and materials ranging from X-rays to ice to paint.
The explores the collusion between nature and science.
Based on nature's sculptured forms Campbell induces new
definitions through fragmented objects, bending forms, concepts
and connotations of the everyday natural systems.
My paintings construct spaces that contain opposing ideas; vast natural environments contained
through architecture, ephemeral landscapes seen through graphic screens, imagined places that
flip between the sublime and the personal.