Using my unique technique, a contour drawing is first produced where no line intersect and still capturing a figurative form or image, then a painting is then produced using multiple medias to add depth and dimension to the painting.
My current work is produced through collaboration with devised performers and landscape, which
aims to address the tensions between fiction and non-fictional forms of storytelling through an
emphasis on process and materiality.
My practice is founded on the encounter, loss and distance, and the understanding of a new environment.
I sew as a way of both mending and marking. Mending what has been damaged or loss, and marking what is new and needs to be retained.
This body of work is a reconstruction of the energy resulting from the over saturation of media, both
visual and printed. It is a visual representation of the proliferation of media in contemporary society.