Having engaged subjects as diverse as political icons, natural and animal elements and human portrait my work reproduces emotionally charged pictorial language, arranging them into new conceptually layered pieces.
In multimedia explorations merging art and science through metaphor and visual experience,
I have been exploring the philosophical and spatial state of time, dark matter, gravity, and the
presence of asteroids.
With objects like handmade fishing nets, flags, hand-painted signs, and rope, I reference
construction that is rooted in the material cultures of sailors, hunting, and America to explore and
subvert notions of masculinity and capitalism
Lawrence Mesich's media work explores moments when bodies and buildings intersect, and their
political and social effects. He uses corporate aesthetics and dry wit to frame these subjects as
both singular entities and complex systems.
My artistic research is best described as a social inquiry into class-consciousness. My work links two
disparate worlds; the mining industries of Wyoming and the sophistication of the 19th century
My work focus on the mechanisms and techniques of representation that build reality, through a
critical process of questioning and challenging hegemonic narratives and the forms by which they