Neighborhood: Brownsville
Summary: Proposing a new response to land art and reinstating craftwork into the political, my work explores how labor can affect a material’s value and how the recontextualisation of an object can transform its agency.

Neighborhood: Kensington

Neighborhood: Red Hook
Summary: My work seeks to create connections and dialog between historical events and contemporary time and space.

Neighborhood: Bedford-Stuyvesant
Summary: My current body of work explores nostalgia for a forgotten time period through the use of photographs, blending personal and found items.

Neighborhood: Bedford-Stuyvesant
Summary: The transformation of one material into the appearance of another is a work of theater. My work allows the audience to simultaneously perceive an illusion and the illusion’s construction.

Neighborhood: Boerum Hill

Neighborhood: Bedford-Stuyvesant

Neighborhood: Clinton Hill
Summary: I push the boundary between photography and painting through digital manipulation.

Neighborhood: Bedford-Stuyvesant
Summary: My found object assemblage art represents a re-evaluation of the life cycle of outdated, rusty, or broken items in a throwaway society -- the transformation of which is a metaphor for personal renewal and boundless possibilities.

Neighborhood: Park Slope
Summary: B&W Photos from 1967 to 1970 while working as a photographer for the underground/radical press.

Neighborhood: Brooklyn Heights
Summary: I am interested capturing subjects in moments when they confront their own vulnerability and documenting their instinctual reactions.

Neighborhood: Williamsburg
Summary: There is tranquility and power that is experienced when being at sea. I bring these senses to interior spaces with my contemporary seascapes painted in oil on steel panels.

Neighborhood: Williamsburg
Summary: Preschool Tintoretto, Life in a Videogame, Crackhead-Style, Symbolist, Erotic Information, Briefcase full of crayons

Neighborhood: Prospect Heights

Neighborhood: Clinton Hill

Neighborhood: Greenpoint
Summary: Often relying on appropriated materials, my work is an un-making, an intervention into a world characterized by misinformation, “truthiness,” and other seemingly authoritative modes of representation.