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Juanli Carrion
Brooklyn, NY
Neighborhood: Carroll Gardens



ARTIST STATEMENT: Using cultural conflicts that are revealed in the definition of collective and individual identity as both process and material, my methods of making serve as a way of creating place, community, collective voice and individual memory. My site-specific interventions aesthetically respond to the social, political and cultural history of their sites, gathering materials, people, actions, objects, information, and geography to reconstruct "the landscape" generated by its inherent conflicts, questioning the strategies of power imposed upon them.
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  • Zea
    2017
    Culinary Workshops

  • Beauty Politic 1.1.
    2016
    Latex, resin and laser ink.
    Beauty Politic investigates a fraught relationship to painting and its role within the greater art world. For this project I destroys anonymous, naturalist landscape paintings in a series of abstract

  • Tapapa
    2016
    Culinary Performance
    Tapapa was the second of the Culinialismos series held at the Museum of Contemporary Art of Lima. I used potatoes to re ect on the exercises of economic colonization existing today in Peru. During the

  • OSS#VMS+Pigmentus.
    2016
    Indoor garden and culinary performance.

  • Autoctonia
    2015
    Color Pencil on paper

  • Outer Seed Shadow #01 (OSS#01)
    2014
    Video interviews, live plants, wood, soil components & public program of activities.

  • Opus 2012
    012
    Live Performance

  • Opus 2012
    2012
    HD Video   23 min

  • Onstage: Monuments of Melancholy
    2014
    Installation, wood, printed vinyl, lenticular prints, video and audio.

  • Mysterious Incident in Lake Desmet - Act I
    2011-2014
    Installation, wood, printed vinyl, lenticular prints, video and audio.

  • Building the Neverending Ruin of the World
    2011-2012
    Performance, infography and sculpture

  • “Ruin” New York 11-04-2011.
    2012
    C-PRINT on Dibond.   80 x 53 inch.
    Onstage: Monuments of Mellancholy. 2010-2013 Distributed along the middle of the USA, there are a series of isolated natural sites, which have been turned into historical milestones. Some of these si

  • Ogon-Seki
    2009-10
    C-PRINT on Dibond.    59 x 39,5 inch
    Kei-Seki is a site-specific intervention carried out in a found landscape, the incomplete and abandoned infrastructure of a bridge over which should be circulating a highway. The intervention consists

  • Keisho-seki
    2009-10
    C-PRINT on Dibond   59 x 39,5 inch
    Kei-Seki is a site-specific intervention carried out in a found landscape, the incomplete and abandoned infrastructure of a bridge over which should be circulating a highway. The intervention consists

  • Kigata-ishi
    2010
    Concrete and led lights
 








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