I engage a process approach to break open the aesthetic value of atypical art mediums. Taking a backdoor route to reductive abstraction, I strive to distil visual experience into formally concentrated compositions. The work is built on the framework of modern abstraction yet takes on a different interpretation based on viewerâ€™s physical positioning to the painting.
The key to understanding the work is being present. I am interested in allowing the impermanence of oneâ€™s own memory and visual history to dictate the substance of the viewing experience within each subsequent interaction.