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LIA ZUVILIVIA
Brooklyn, NY
Neighborhood: Williamsburg



ARTIST STATEMENT: The main focus of my work has been and continues to be to explore with lines - in the plane or with glass edges, the infinite possibilities of what seems to be the same. I am thrilled with the projected shadows when they are interfered by light and how they connect and interact with each other, altering the color and shapes with the change of light during the day and in the space around them. __________________ ARTIST STATEMENT: My work is a repetition of calligraphic oval shapes, from paintings, to glass sculptures, to window and door interventions. I build glass boxes and fill them with broken or cut glass, sometimes painted, sometimes not. On windows and doors, I glue layers of cut glass, overlapping them. I play with their lines, edges and, thickness. Because of its transparency, the composition and the lines vary according to the spectator’s point of view.  In these interventions, the light plays the first role, by creating ephemeral and sporadic compositions throughout the day. I like the relation between surface and line, and the projections and reflections they produce. They transform a 2D work into a three-dimensional one when traversed or illuminated by natural or artificial light. Thus, projections and shadows cast on the floor and walls of the room, or on the sidewalk, create new works. The work changes with the environment, while the environment is influenced by the work itself.  Although working with the same concept of repetition and impermanence, in the cut-outs it is the process itself that leads. With a reverse approach, contained within the canvas, I work from the inside out. The surface is altered--cut, overlapped, and modified but remains whole. The canvas is the oval, as the ovals are the canvas. Looking from multiple points of view as well as various possible paths, my work is an intrinsic connection between the physical and emotional, non-dualistic space, and the relationship to it. Like ripples that expand and modify the environment, I am a part of it, and I cannot stop It.  Lia Zuvilivia, Brooklyn -2015
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  • Melting away
    2019
    Oil on canvas
    16 by 20 in

  • Love
    2016-20
    Acrylic and ink on newsprint paper.
    18 by 24 in

  • Open
    2020
    Acrylic on newsprint paper.
    18 by 24 in

  • Reflection
    2020
    Flat paint on rosin paper.
    3 by 6 feet

  • Studio Book#3, page66
    2015-19
    Ink and acrylic on newsprint
    18 x 24

  • Spirit II
    2016-20
    Acrylic on newsprint paper.
    18 by 24 in

  • Spirit III
    2016-20
    Acrylic on newsprint paper.
    18 by 24 in

  • All-Ways A-Way
    2013
    Light Filters and Glass
    24" by 24"
    Cut-out light filters between glass. 2013

  • Neon Mantra
    2014/15
    Light Filters and Glass
    20" by 24"

  • Pride
    2016
    Lighting filters, acetates and gels
    8 x 10 in

  • Dark Forest
    2014
    Light Filters and Glass
    14 H x 17 W x 1 in
    Cut-out light filters. ArtSlant Award: 3rd 2015 Showcase Winner in the abstract Category Framed with 2 in archival matboard between two panes of glass on a black edge metal frame.

  • Yesterday
    2015
    Lighting filters and gels
    7 in by 5 in

  • Corner
    2019
    Glass
    Variable

  • One
    2019
    Glass
    Variable

  • Oneness
    2012
    Glass
    Variable

  • NotThis NotThat
    2016
    Glass
    Variable

  • Groundless
    2017
    Glass
    Variable

  • Remix
    2009/10
    Cut glass in glass box.
    20” by 12” by 6” aprox..

  • If only if only only
    2010
    Open glass box.
    20” by 12” by 6” aprox..

  • Starting Over
    2008
    Cut and broken glass in glass box.
    9 1/2” by 8 1/2” by 9” approx..
    I see the boxes as a means to care for, maintain or relinquish things, is also evolution from one stage to another, or the objet to expel the unnecessary. The box became a symbol for me and I used
 








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