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Nora Rodriguez
Brooklyn, NY
Neighborhood: Crown Heights



ARTIST STATEMENT: I am interested in thinking of animation like sculpture, as a way of abstracting space. Animation invites weight and form to become elastic. It also invents a new, sometimes rigid, logic of cartoon space (Wile E. Coyote runs off a cliff, and only falls once he realizes there is nothing beneath his feet). Iím curious about the ways these conventions describe a poetic or abstract space.

My animations are also about storytelling. Iím interested in stories that take the shape of a spiral. From its inception, animation has relied on looping motions to extend action. Early animation is particularly dependent on gags repeated, doubled over on themselves. Many of my animations contain some looping action, either in visual or narrative form. These loops echo stories that are formed by the accumulation of routines. They trace stories that, like waking in the morning, seem to end where they began.

Iím curious about routines that begin to outline larger stories. They are often about the ways loss finds form in the grooves worn into daily life. Like a hole thrown on a wall, they make physical what is only an absence.

A friend recently told me about a butcher shop in Albuquerque. Itís so old, he said, that customers have worn an indentation into the floor where they stand in line for service. I hope these animations can be like that sloping floor.
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  • Untitled (Split Rooms)
    2014
    two channel hand-drawn animation

  • Untitled (Split Rooms)
    2014
    two channel hand-drawn animation

  • Untitled (Split Rooms)
    2014
    two channel hand-drawn animation

  • Animation Still: Awake at Night
    2016
    hand drawn animation

  • Animation Still: Knot
    2016
    hand drawn animation

  • Animation Still: Dinner Table
    2016
    hand drawn animation

  • Animation Still: Flowers
    2016
    hand drawn animation

  • Animation Still: Mindow
    2016
    hand drawn animation
 








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