ARTIST STATEMENT: I work primarily with photography, video installations and performance. I am interested in conceptual strategies that have to do with the body as an object of study and a medium to approach memory and trauma. My work investigates the impact of my permanent double vision, consequence of a car accident, and my experience of space. I embrace this disjunction divorcing my body from traditional representations and finding eccentricity and humor in breaking with the stereotypical female role.
Flying Nun (Engrams Series) 2015 Archival Print, Scans, Hair. Unique. I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Rolling Girl (Engrams Series) 2015 Image compositing with archival prints and scans I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Blind Color Bride (Engrams Series) 2015 Archival print, watercolor, marker I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Nose Girl (Engrams Series) 2016 Archival print, coffee, marker I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Woman with Peineta (Engrams Series) 2016 Embellished Archival Print I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Lady Mouse (Engrams Series) 2018 Embellished Archival Print I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
La Caracolillos (Engrams Series) 2018 Embellished Archival Print, Artist Hair, Acrilic I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Family (Engrams Series) 2016 Image compositing with archival prints and scans. Thread I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Girls just want to have Fun (Engrams Series) 2015 Archival print I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Ancestral MD (Engrams Series) 2016 Embellished Archival Print I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Baryta Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Baryta Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Baryta Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Baryta Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Rag Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Rag Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
Untitled (Hair Series) 2018 Photograph - Archival Print. Canson Photo Rag Paper. Framed For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
