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Ivana C Larrosa
Brooklyn, NY
Neighborhood: Cobble Hill



ARTIST STATEMENT: I work primarily with photography, video installations and performance.  I am interested in conceptual strategies that have to do with the body as an object of study and a medium to approach memory and trauma. My work investigates the impact of my permanent double vision, consequence of a car accident, and my experience of space. I embrace this disjunction divorcing my body from traditional representations and finding eccentricity and humor in breaking with the stereotypical female role.
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  • Flying Nun (Engrams Series)
    2015
    Archival Print, Scans, Hair. Unique.
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Rolling Girl (Engrams Series)
    2015
    Image compositing with archival prints and scans
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Blind Color Bride (Engrams Series)
    2015
    Archival print, watercolor, marker
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Nose Girl (Engrams Series)
    2016
    Archival print, coffee, marker
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Woman with Peineta (Engrams Series)
    2016
    Embellished Archival Print
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Lady Mouse (Engrams Series)
    2018
    Embellished Archival Print
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • La Caracolillos (Engrams Series)
    2018
    Embellished Archival Print, Artist Hair, Acrilic
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Family (Engrams Series)
    2016
    Image compositing with archival prints and scans. Thread
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Girls just want to have Fun (Engrams Series)
    2015
    Archival print
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Ancestral MD (Engrams Series)
    2016
    Embellished Archival Print
    I work with my family photographs from the late 19th and 20th centuries. I distort, combine and alter these photographs in order to ignite and re-animate them. All of these historical photographs are

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Baryta Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Baryta Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Baryta Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Baryta Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Rag Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Rag Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th

  • Untitled (Hair Series)
    2018
    Photograph - Archival Print. Canson Photo Rag Paper. Framed
    For Hair Series project, I work with my own braid, that I cut off in 1992. I scan locks of my body with my braid in order to reconnect with my memory as a freeing ritualistic enactment. I draw over th
 








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