ARTIST STATEMENT: From the outset his artistic career has expressed the central topics of his research; the phenomenon of limits, ambiguity in traditional art disciplines and the approach to the artistic task from a fundamentally conceptual and anthropological point of view. From the questioning of the role undertaken by the image through to the construction processes of a look, there is a recurrent interest in uncovering the contradictions that help us situate ourselves in the face of artistic work and, therefore, in the face of reality.
Recently the work with images has given way to a greater protagonism of the text through signs and models of the spaces and places. The written word takes the place of the image. During this time he has also participated in numerous group exhibitions in Shows, Biennials and Competitions. He has been awarded numerous prizes and distinctions and his artwork forms part of both prívate and public collections.
Citizens. Exhibition happyluckyn1. Brooklyn 2018 CITIZENS: Identity and Difference, a collaborative exhibition of work by artists Asuncion Lozano and Pedro Osakar.
Closed Eyes I-XXVI, 2017. 39,3 x 31,8 inches (102 x 81cm) 2017 Acrilyc Paint on wood. 39,3 x 31,8 inches/each CITIZENS, the exhibition includes work exploring the concept of identity and its social and political implications. 26 portraits.
Closed Eyes I-XXVI, 2017. 39,3 x 31,8 inches (102 x 81cm) 2017 Acrilyc Paint on wood. 39,3 x 31,8 inches/each Includes a 26 portraits collection (acrylic on wood) of anonymous people as they were falling asleep on the train.
People portraits and Utopias on scaffoldings 2018 Laser cut on black card and Black Canson paper 8 units 40x35cm each and 8 units 54x52cm each. POST NO BILLS, is a group of maps, images and texts that work in the same way as the annotations of a travel notebook.
Stickers 2018 Stickers on a table inside glass cabinet. Table 75x135x90cm; Glass cabinet, 15x135x90cm. POST NO BILLS, as an idea that brings together the project of this exhibition. A device for creating thought, a way of enunciating a story from a critical and political point of view.
People portraits. 2018 Laser cut on black card and NYC maps. 6 units 40x35cm each aprox. POST NO BILLS, is a tool for understanding a neighborhood in any city, iconic, hard, excessive and overflowing.
Happy City, Images in Espite of All, and The State of Newtopia, 2018 Spray and laser cut/ MTA maps 82x58cm. 3 Units. The work explores the invisible forces and unwritten laws that explain how we use the city.
I can't/don't explain and I won't even try, 2015. 2015 Red and yellow methacrylate. 98,4x9,84x0,11 inches Mar Océano–Oceanum Mare, Museo de Cádiz, 2016. The city appears to be uniform only in appearance, even its name has a different ring to it in different places. In cities, like in
Here comes the ocean and the waves 2016 Three Light Signal. Iron and methacrylate with red vinyl 118,11x11,8x3,14 Each unit. Mar Océano – Oceanum Mare, Museo de Cádiz, 2016.The city appears to be uniform only in appearance, even its name has a different ring to it in different places. In cities, like in
Here comes the ocean and the waves. 2016 Three Light Signal. Iron and methacrylate with red vinyl. 118,11x11,8x3,14 Each unit. The city appears to be uniform only in appearance…In cities, like in no other place, it is still possible to experiment in a most original way the phenomena of limits…
On Blackboard. Projects. 2007 Blackboard, chalk, acrylic and different objects. 240x720cm. Reusing the images and texts which define these codes. The interest in incorporating English, with its gender and concordance, based on reflection in an extreme social and political space.
I am a man 2009 Wood and iron painted. 230 x 100 x 100 cm. Installation, I am a man (Soy un hombre), 2008. African American slogan used in the late 1960s, to claim their civil rights. The meaning of protest does not lie only in the words are pronounced, but i