“I like natural disasters and I think that they may be the highest form of art possible to experience.” -- Walter DeMaria

My work is a collage of random thoughts and inspiration layered together through a series of improvisational sessions. Much of the content comes from my everyday life experiences. The end result is sometimes convoluted, and abstract. I

My artwork focuses on New York City's architectural environment.

In my drawings, paintings and collages I move back and forth between urban and natural subjects where the contrasts and cross-fertilizations are cumulative, non-linear, free flowing and interpretive.

A scroll series of watercolor painting and marker drawing

Sculptures that mine the textures of nature and the post-industrial landscape

I work in mixed media, using feminine crafts such as knitting, crochet and lace with recycled materials, thematically focusing on the cultural significance of technology.

Reliefs, paintings and drawings that playfully distort depth and figure.

I make small to large scale ephemeral soft sculptures and installations out of paint that explore the space where binaries exist simultaneously in the same being.

Deconstructing and articulating concepts masquerading as beauty

I reflect my life's circumstances and experiences in my non-objective creations.

rotate / repeat / scale / move / subtract / is a series of abstract works on plywood I've created over the last four years; in it, I try to deliver the purest aesthetic experience with the simplest, and most economical means possible

Luminous, atmospheric abstractions that explore the tension between structure and space, geometry and randomness, to create a sense of place where form and air mingle with each other.

I accumulate discarded objects and nontraditional materials, transforming them through painstaking methods into sculptures and installations. Both material and process are significant to the content of my work.

Paintings and drawings developed from patterns and traces of growth and decay in the natural world and the built environment.

I shoot overlapping multiple exposure photography, panoramic in shape, with a plastic camera (Holga). These unplanned juxtapositions capture my experience of a particular time and place and at the same time have an identity all their own.

Expressionistic figure based oil paintings heavily painted in muted colors.