Based on remembered experiences and photographs from the 1970s and 80s, my installations, sculptures, and paintings focus on family life as safe and unsafe, isolating fear and uncertainty.

My work comprises a visual diary, where each instant is isolated as a fragment of a larger and often unresolved narrative. My process seeks to explore those instances when we feel as if we are mere observers to our own circumstance.

I am curious about the human conditions that surround me, especially processes of change and how circumstances affect the choices we make, while acknowledges the cyclical nature of life, where many experiences are more or less universal.

Work in installation, painting, sculpture and video with a conceptual focus on color obsession.

I am a multi-disciplinary artist creating socially minded projects that are deeply personal and anthropologically rich. My projects work to foster connections between viewers and community members, and to encourage dialogue.

My multi-media work explores in a serio-comic way how mythology serves as a coping mechanism in angst-ridden times and how diverse cultures coexist symbiotically. It relates to feminism in its focus on domestic items such as clothespins.

color photography

I want to make the undervalued, unseen culture of “women’s work” visible.

I photograph (in both traditional black-and-white and digital color) domestic vernacular architecture in outer-borough New York City. I teach photography at Brooklyn College, and lived in Marine Park, Brooklyn for many years.

I like to work with discarded materials and objects that inspire me to respond to their mysterious history.

DADDY IS AN EXHIBITION-BASED ART AND DESIGN COLLECTIVE DEDICATED TO THE STUDY OF USE IN CONTEMPORARY PRACTICE.

Using photography, I explore the relationship between the viewer and image in order to arrive at a more reciprocal relationship between the two.

Contemporary Still Life Painting