Janet Goldner is an artist whose work explores culture, identity and social justice. She works in various media: sculpture, photography, video, installation and writing.

I am a visual artist who makes pictures with language, books with pictures, prints with type and animations with words.

Site-specific installations in ephemeral materials. Videos mapping the un-mappable. A fascination with our irrepressible compulsion to connect and communicate despite the inevitable breakdown of those communications being clearly received

"Chiiiildren! Children NEVER bring good presents. Get rid of them"

I'm currently working with found images primarily from sixties and seventies pictorial magazines that I interrupt with over-printed digital drawings and words which introduces a layer of commentary, free association or disruption.

One half the Greenpoint-based performance and media art team ARM AND EL BEAU. With an exploratory spirit, ARM AND EL BEAU use installation, environment, technology, media and text to bring one-time-only experiences to their audiences.

My work focuses on "Scriptograms"; gestural writings that can express ideas beyond the actual meaning of the words and their typical coding. The materials I use reflect an ambiguity of place where meaning can have alternate interpretations.

Mixed media sculptural wall and floor works and installations; sculpture, digital prints

From the New York Times: "Peter J. Ketchum knows how to get the viewer's attention. Shown widely around the country, his pictures commingle colors, situations, commentary and mediums in a manner that is provocative, funny and to the point."

Collages made by hand and digitally, representing my navigation of both dreamscapes and day to day waking life, thematically inclined toward investigations of physical vs robotic, technology and spirituality.

As a photo based installation artist, I combine photographs with the alteration of spaces, performances, videos, sounds, and interactive elements—doing whatever it takes to get to what I'm after—something unpredictable and genuine.

A line the simplest and most complex marks, the earliest marks made by humans to communicate.

In my work I establish a sense of a place without being a specific location, by applying a myriad of crisscrossing lines overlapping and juxtaposed with shapes that allude to topographic and ancient hand made maps of cities.

Time and repetition can reinforce the meaning of an action or diminish it's meaning.

Melissa is a writer and illustrator working in traditional media.

expressionistic oil portraiture, intricate line drawings, as well as non-representational "emotional landscapes", visual poetry, video, sound, and performance.