“I like natural disasters and I think that they may be the highest form of art possible to experience.” -- Walter DeMaria

Based on remembered experiences and photographs from the 1970s and 80s, my installations, sculptures, and paintings focus on family life as safe and unsafe, isolating fear and uncertainty.

Sculptures that mine the textures of nature and the post-industrial landscape

I work in mixed media, using feminine crafts such as knitting, crochet and lace with recycled materials, thematically focusing on the cultural significance of technology.

I make small to large scale ephemeral soft sculptures and installations out of paint that explore the space where binaries exist simultaneously in the same being.

I accumulate discarded objects and nontraditional materials, transforming them through painstaking methods into sculptures and installations. Both material and process are significant to the content of my work.

Expressionistic figure based oil paintings heavily painted in muted colors.

Since 1969 I have been making small scale sculptures that use nature and architecture as it's imagery.

My most recent work consist of straight lines that through means of systematic intersecting optically curve and create moire like patterns.

Matthew C. Wilson is an artist working in a variety of media including installation, sculpture, video, and site specific action; his work distills constellations extracted from entwined natural, historical, cultural, and economic process.

Painter, mixed-media, sculptor, installation artist.

I make original abstract paintings, drawings, collage and sculpture.

My ceramic pieces are pinched and coiled with botanical influences that can be combined to create larger installations as well as intimate groupings.

My new work has been a great deal of focus on human beings connection to living and nonliving things in our universe. The captured series examines how a technology is used to create identity and mind control.

Christina Massey’s work teeters of the edge of both painting and sculpture. Her work indulges the senses with an overload of aesthetic qualities like textures, color, form and pattern.

My work is symbolic language. I make large banner-like wall pieces, freestanding constructions and collage-drawings of industrial wool felt and paper in which polar bears make frequent appearances.

In the simplest terms, I am a mark-maker. This making of marks, lines, scratches, letters and strokes is central to my work and leads, only incidentally, to an area that is about light, tone and texture.