A defining part of my current work is the illusion of patterned fabric imbedded in the painting
surface to denote curtains or veils, at times even the body. Pattern as cloth has opened up my
paintings, because even though the pattern it the pattern it
I see the world as light and dark and I use shapes and light to depict the geometry of what I'm
looking at - a world of vast beauty that will vanish if we do not preserve it, and document it, and
i create text-based works that reformat everyday language and common materials, infusing conceptual language play and process-based execution with deadpan humor, logic games and purposeful misunderstanding.
Using my unique technique, a contour drawing is first produced where no line intersect and still capturing a figurative form or image, then a painting is then produced using multiple medias to add depth and dimension to the painting.