My ceramic pieces are pinched and coiled with botanical influences that can be combined to create larger installations as well as intimate groupings.

Addressing issues of identity, race, advertising, mindfulness and migration, melding techniques and materials from traditional Korean techniques and contemporary experimental practices.

My paint is a chimeric substance that is both living and artificial. The paintings are endowed with buried romantic notions, but have begun to take on more tactile human qualities. They heave and sigh.

Each of my works immerse the viewer in a metaphor making light of life's trials and tribulations.

My work is shocking, humorous and conceptual

how ghosts sleep, a collection of drawings, collages & installations

My interest in the labyrinth as a structure is based in the circle. Here, the circle turns in on itself, and raises the question of reality. In postmodern practice, could also revolve around her “uniqueness-reproducibility axis,” allowing the artist

I conceive painting as a game of revelations where one thing leads to another. “Paintings are like music when it’s alive. It’s executed by humans, but at some stage it comes to life and the artist becomes a medium for it to flow, a vehicle.

Work is in a variety of media forms involving drawing, painting, collage and text. Most of the work is political in nature. Lately, aging (my own and in general) has been the focus of my interest through the use of an after ego.

Abstract paintings and animations dealing with short term memory.

I am a painter, animator and mixed media installation artist. My work celebrates the human spirit and life on our planet in all its forms. I am also a producer for Brooklyn Free Speech TV and curate and present NUGGETS a show on video-art.

I paint spontaneously with PEOPLE as my central focus